Book Spotlight: Eyes to See (Jeremiah Hunt Chronicles, Book One) by Joseph Nassise

***Originally posted on The Bearded Scribe on July 22th, 2012.***

Book Spotlight: Eyes to See (Jeremiah Hunt Chronicles, Book One) by Joseph Nassise

GOOD EVENING, Beardies!

Many of you may remember my first ever Author Spotlight on my writing coach, Joseph Nassise. As a prequel to a follow-up Spotlight—this time complete with an interview—I am doing my first ever Book Spotlight on Eyes to See, the first book in Nassise‘s Jeremiah Hunt Chronicles.

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{—PREMISE—}

WHEN Jeremiah Hunt’s daughter, Elizabeth, is kidnapped without any tangible evidence, his world is shattered; the obsessive search for her whereabouts leaves everything else in his life—his marriage, his job, his friends—to come crashing down around him. In his search for tangible clues, his desperation leads him to the intangible—an arcane spell that is supposed to help him see what he has overlooked. Sacrificing his normal sight catapults him into a world of literal and figurative darkness—a world of spirits and entities that haunt him in his now-cursed life of endless night. When called upon by the police for his “paranormal” abilities, a string of gruesome murders uncovers clues about his daughter’s disappearance, a cast of unlikely friends, and unforeseen enemies.

{—GEMS FOR WRITERS—}

1. World Building...

YOU should have guessed I’d say it, but Joseph Nassise does a spectacular job of creating the obscure reality in which Jeremiah Hunt is doomed to walk. The colorless world—because of Hunt’s quasi-Faustian sacrifice—is populated with spirits, demons, and other entities of myth and legend that walk the streets of the novel’s Boston setting, all undetected by the city’s corporeal denizens, but all of whom can detect Hunt’s ability and are drawn to it like a beacon. Just as Stephen King creates written replicas of his (and my) native Maine with perfect prose and imagery, Nassise, too, does the same for his native Boston and its surroundings—all while adding an eerily believable layer of fantasy.

2. Historical Elements...

ONE of the things I loved about this book was its incorporation of historical elements (and in this case, specific to its region). This, in itself, ties in with World Building—in fact, I’ve mentioned it before in the World Building Series. Using the element of history as a writing device in urban fantasy is pure genius; it makes the world all the more believable, no matter how made-up the fantastical element is. It even makes you question history. The motives behind the witch trials that occurred in Salem may not have been what was originally believed, something this novel proposes. Curious? Read this book.

3. Point of View...

THIS element of writing is far-too-often overlooked. Although there are some passages that are in some other POV (perhaps even slightly weaker in comparison), Nassise does a stellar job with Hunt’s first-person narrative. Even the flashbacks are easy to maneuver through because of the tightly-written prose.

{—RATING—}

{—CONCLUSION—}

I don’t want to sound cheesy—or sycophantic—when I tell you that I had difficulty putting this book down. I had started and completed this book within a span of 30 hours—including sleep and meals—excitedly turning each page… a total, perhaps, of 10-12 hours actual reading time. If you are looking for an urban fantasy with a paranormal flavor that redefines the genre, look no further.

***Eyes to See (2011), by Joseph Nassise, is published by and copyright Tor Books (Tom Doherty Associates, LLC).

Book Spotlight: The Curse Workers Trilogy by Holly Black

***Originally posted on The Bearded Scribe on July 21, 2012.

Book Spotlight: The Curse Workers Trilogy by Holly Black

HELLO Beardies,

Welcome back to Book Spotlight! It’s been far too long since I wrote one of these posts, but I’m glad to be back at it.

Tonight’s Book Spotlight is a trilogy that had me captivated from its first installment in 2010. Part fantasy, part crime thriller, with a strong shot of humor and a tie to a French fairy tale, this trilogy made me a believer in urban fantasy. Shortly after reading the first book, I spent an inordinate amount of time in a signing line to meet Holly Black at the ALA conference, and my autographed copy of White Cat is still among my treasured possessions. When the final book came out this spring, I couldn’t wait to tell you about this trilogy.

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{—PREMISE—}

CASSEL SHARPE is just a normal guy…and in his world, that’s not a good thing. Curse work—the ability to control another person’s memories, emotions, dreams, luck, or even life through the simple touch of a finger—runs in his family. Curse work is also illegal, but it’s highly available on the black market, and the black market is controlled by a magical Mafia of sorts, made up of powerful families of “workers” like Cassel’s. Since he’s not a worker, Cassel is an outsider in his own family. He tries his best to stay away from the family business, but a series of bizarre events prove that Cassel’s life is not what he thought, and far from being an outsider, he’s right in the middle and is perhaps the most powerful player of all.

{—GEMS FOR WRITERS—}

1. RULES OF MAGIC...

IN a well-established fantasy world, magic will have boundaries. (If you haven’t already, please go check out Joshua’s fantastic World Building post on this topic!) Holly Black’s rules of magic are well established and thought-provoking. In the world of the Curse Workers, magic is not only illegal, but to wield it means personal consequences known as “blowback”—a sort of instant magical karma—for the worker. Each worker can perform only one type of curse, and the blowback is directly related to the curses they perform. For example, Cassel’s mother, an emotion worker, is emotionally unstable from years of working her targets. His grandfather, a death worker, loses a finger each time he performs a curse, and knows that one too many curses will stop his own heart. To perform curse work, a worker must be aware of and willing to accept the consequences.

2. WORLD BUILDING...

EVEN if you choose to set your speculative fiction story in a real city, a fantasy world still needs to be built within it. The Curse Workers Trilogy takes place in New York City and the surrounding area; the world is similar to ours, but Holly Black does a stellar job of building new norms into a realistic setting. Since curse work can only be performed through skin-to-skin contact, everyone wears gloves at all times. The government wants to mandate testing so that they know the whereabouts of all curse workers (ostensibly to protect them), and that is as divisive an issue as any political debate in our world.

3. FOOD FOR THOUGHT...

FOR me, the most unforgettable stories are the ones that leave me with something to think about. Holly Black packs a lot of food for thought and social commentary into this trilogy. The political climate in the world of the curse workers is unstable, hinging on the issue of mandatory testing so the government will know who and where all the workers are. Cassel and his friends attend rallies for worker rights that echo of the civil rights movement, the labor movement, and other great protests we can read about in our history books. Cassel is also in a unique position that places him directly in the middle of his family and the government, and many times he finds himself thinking about what makes a family and to whom he owes his allegiance—the family that treats him as an outsider or the government that would jail every last one of his family members. All of this food for thought has left these books embedded deep in my memory. And hungry for more.

{—RATING—}

{—CONCLUSION—}

WELL, Beardies, we’ve reached the end of another edition of Book Spotlight. I hope you’ll take the time to check out at least one—if not all—of these fantastic books!

***White Cat (2010), Red Glove (2011), and Black Heart (2012) by Holly Black, are published by and copyright Simon and Schuster Books for Young Readers.

Movie Spotlight: Brave

***Originally posted on The Bearded Scribe on July 16th, 2012.***

Movie Spotlight: Brave

HELLO Beardies,

Hang around The Bearded Scribe long enough, and you will inevitably catch a glimpse of Scottish pride amidst its contributors. Elizabeth is a direct descendant of Clan Ross, the first named clan, designated by King Malcolm IV of Scotland in the twelfth century; and Joshua has a bit of all the British Isles in him from his mother’s side… If genealogical reasons of pride weren’t enough, Joshua and Elizabeth met when they were all students at Alma College, home of the Scots. (The city of Alma is nicknamed Scotland USA.)

ALMA College has its own registered tartan, which both the marching band and the pipe and drum corps wear for every performance; every convocation starts with the bagpipes; the Choir can often be heard in the Chapel (or, on occasion, in secluded churches in Scotland!) singing tunes such as “Loch Lomond” and “Highland Mary;” and at the end of Spring Term, the students must vacate the dorms to make way for the Highland Festival, a huge gathering including traditional Highland music and dance, a nearly-frightening number of men in kilts, and Highland games.

Alma College Tartan

Alma College Choir in Scotland performing "Loch Lomond."

IT is because of this Scottish pride that The Bearded Scribe excitedly brings you its first ever Movie Spotlight on Disney/Pixar’s latest film, Brave. And to top it all off, it is the first ever post to appear on the blog with two contributors! (We’re sure it won’t be the last!)

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{—PREMISE—}

A born tomboy and expert archer, Merida is not your average girl, but, as her mother often reminds her, she’s a princess, and with that comes expectations. The clans are about to gather, bringing their suitors to compete for Merida’s hand, and of course, Merida wants nothing to do with it—especially after she sees just who these potential suitors are. She devises a way to compete herself so as not to have to get married, but it causes her worst fight yet with her mother and Merida runs away. Deep in the woods, she follows will-o’-the-wisps to a witch’s cottage. The witch gives her a spell to change her fate, but when the spell backfires, trapping her mother in the form of a bear, Merida must use all her wits and skills—princess-like and otherwise—to save both her independence and her family.

{—GEMS FOR WRITERS—}

1. The Land...

ONE of the greatest aspects of Brave is the film’s unforgettable landscape, beautifully portrayed through superb animation. The entire “world” built by the film is complete, and the landscape alone is merely one of its facets. In addition to the lush, green rolling hills, the crags and high cliffs, and the architecture of monuments and buildings, the film includes key elements to the traditional, Celtic culture. Intricate knotwork is carved on wood and stone throughout—including Merida’s bow. Nary a scene exists without a man in a kilt or some display of tartan (ever wonder what the Scotsmen wear under those kilts… watch this film and you will no longer), a few of its characters adorned in woad paint (a tip of the hat to Braveheart, perhaps?), and fanciful tapestries line many a wall.

Many of the Scottish traditions outlined in our intro are beautifully and respectfully reflected in Brave, one of them specifically is that of the Highland Games. According to tradition, each clan presents its most desirable suitor for the hand of the Princess, and the winner is determined through a test of her choosing. Brave’s focus is not mainly on romance; rather, in a stroke of unconventional plotting, the games serve as an impetus for the main conflict between Merida and her mother, and between Merida and the conventions of her society.

Another aspect we loved about Brave is the wonderful music contained in its soundtrack. As we are both vocalists and lovers of music, this was one aspect, in our humble opinion, the film had no room to get wrong. They didn’t. The composer of the film’s musical score, Patrick Doyle—also the composer of Harry Potter and the Goblet of Fire—used traditional Scottish instruments such as the bagpipes, a solo fiddle, Celtic harps, and the bodhrán, just to name a few. Doyle was quoted as saying, “I employed many classic Scottish dance rhythms such as reels, jigs, and strathspeys, which not only serve the action but keep it authentic.”

The only issues we found with the world-building of the film were anachronisms. Given the film was fictionally set in 10th Century Scotland, the use of plaid (15th-16th Century), kilts (18th century); forks (16th century); Shire horse (breed developed in the mid-17th century) and fighting the Romans (1st-5th century) all fit the bill. Because we love all things Scottish, we happily forgive them.

2. The Legend...

IF there is something that must be mentioned, it is the way elements of folklore and mythology are interwoven throughout the entire film. While there is no precedence for the actual legend of the plot, other elements from Celtic lore are used ingeniously to drive home the “fairytale” aspect. From its very start, we are introduced to will-o’-the-wisps—colloquially referred to as “wisps”—which Merida is told (by her mother) are said to lead a person to their fate. The “wisps” vanish when approached, just as the actual lore states; ironically, however, in most Celtic lore a “wisp” (or ignis fatuus) is said to lead travelers away from the safety of the path (into bogs and other treacherous destinations). Continuing with the “fairytale” notes is the sacred henge in which the final showdown takes place. It represents not only the sacred rock formations that speckle the British Isles, such as Stonehenge—which are placed on sacred sites filled with the natural energies from the Earth—but also the smaller-scale formations referred to as “faerie rings.” These sites were said to be portals to the land of the Sidhe, and were to never be entered. Merida’s horse, Angus, obeys this superstition by stopping suddenly at its edge, meanwhile throwing Merida into its center. The fact that the wisps appear from this site to lead Merida to witch’s cottage is another allusion to the Faefolk they are meant to represent.

ANOTHER mythological element which is prevalent—if not pervasive—is that of the bear. While researching for this post, we discovered a possible connection between Queen Elinor and the Celtic Bear Goddess, Artio, often referred to as “Mother Bear.” We even uncovered an ancient statue of said goddess that appears strikingly similar to one that may or may not have made an appearance in the witch’s wood-carving shop. The legends and myths that appear throughout the film and its landscape are like the tapestry in the film; they are tightly woven, never to be torn from one another. The mistakes and stories of the past—however far-fetched and magical they might seem—are there to educate generations of the future. We must take heed and not dismiss them so quickly, which echoes Queen Elinor’s line in the movie: “Legends are lessons, and they ring with truths!”

3. The Lessons Learned...

AS firm believers that no woman should need a man to make her complete, we really enjoyed seeing a Disney/Pixar film wherein romance is present without being the main focus of the plot. We’re not anti-love by any means, and both agreed that the romance between the Queen Elinor and King Fergus is sweet. Love, after all, makes life sweeter, but love comes in more forms than just romance. Merida is a tenth-century girl with a twenty-first century mindset, and her independence and determination is refreshing. She knows she can do better than any of the suitors she is offered, and she’s not willing to compromise or settle—a position we totally support.

Unless you’ve been living under a menhir somewhere—or trapped under one—you’ve most likely heard the expression: “Be careful what you wish for.” The main theme of Brave is exactly this, and it is an expression Princess Merida already knows all too well. Despite this, she wishes for her mom to change, and when the Queen is transformed into a bear, Merida must deal with the consequences. Afraid for her mother’s life—due to her father’s understandable hatred of bears—Merida and the Queen flee the family’s castle in search of the witch or the wisps that led her to her fate. While helping Merida with trying to find a way to reverse the spell, Queen Elinor gains respect for her daughter’s strength and wilder side; Merida, too, finds a deeper respect for her mother when faced with the prospect of losing her forever. Also, they discover that Merida is not the first to wish for a change of fate, and by repairing the mistakes she made, she has the opportunity to correct the wrongdoings of the past.

{—RATING—}

{—CONCLUSION—}

GIVEN our love affair with all things Scottish, we had high hopes for Brave, and we weren’t disappointed. Add in a strong female lead, stirring soundtrack, and beautiful scenery and animation, and our separate trips to see this film were time well spent. As a bonus, it gave us a chance to truly collaborate for the first time, a practice we hope to keep up in the future!

Gus an coinnich sinn a’rithist,

Book Spotlight: The Last Unicorn (The Graphic Novel) by Peter S. Beagle

***Reviewed by Court Ellyn and originally posted on The Bearded Scribe on June 22, 2012.***

Book Spotlight: The Last Unicorn (The Graphic Novel) by Peter S. Beagle

GOOD DAY to you, Beardies, and welcome back!

It is my great pleasure to present my first post for The Bearded Scribe. First, a huge thanks to Joshua and the rest of the crew for having me, and to all you Beardies for taking the time to follow the blog. Second, on to the goodies:

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{—PREMISE—}

WHIMSICAL. Lyrical. Poignant. Deeply moving. Adapted for the first time from the acclaimed and beloved novel by Peter S Beagle, The Last Unicorn is a tale for any age about the wonders of magic, the power of love, and the tragedy of loss. A unicorn, alone in her enchanted wood, discovers that she may be the last of her kind. Reluctant at first, she sets out on a journey to find her fellow unicorns, even if it means facing the terrifying anger of the Red Bull and malignant evil of the king who wields the Bull’s power.

{—REVIEW—}

FOR my first foray into the realm of graphic novels, I settled on a winner. Having grown up terrified, yet allured, by the Rankin and Bass animated production of The Last Unicorn, I steered clear of the novel, not sure what to expect, until the 40th Anniversary Edition was released by Roc in 2008. I discovered that I had been missing out on an exquisite tale, but that’s another review for another day. Suffice it to say that the graphic version, published in 2011 by IDW Publishing, is as lush and beautiful as the original story. The artists Renae De Liz and Ray Dillon worked wonders translating the poetic beauty and depth of emotion of Beagle’s prose into each panel and page of their artwork.

BEING a reluctant fan of the animated production, I was pleased that many of the characters and flavor of the backgrounds often closely echoed the artwork featured in the film. At the same time, the illustrations remained different and original enough to keep me from feeling cheated. While I might have finished this book in a few hours, it took me several weeks because I found myself lingering on the panels, soaking up each delicious detail. Artwork of this caliber is not something to be rushed through, after all. The eye wants to dive into the layers of imagery and savor for a while.

JUST as impressive is how Peter B. Gillis managed to select the phrases, both exposition and dialog, from the original novel that best enhanced the artwork and managed to move the story along in a clear fashion, without sacrificing Beagle’s poetry of language. The story’s allegorical symbolism and wry humor remain intact as well. Even small details from the novel, those jewels glittering darkly at the periphery, like a spider weeping over reality, are faithfully captured here.

Fans of the classic fantasy novel will be hard-pressed not to find enjoyment in this delight for the eyes, this feast for the imagination.

{—RATING—}

***The Last Unicorn (2011) by Peter S Beagle, adapted by Peter B. Gillis; illustrated by Renae De Liz and Ray Dillon; published by and copyright IDW Publishing.

Book Spotlight: Grave Mercy by Robin LaFevers

***Originally posted on The Bearded Scribe on June 21, 2012.***
At the time of the original post, only Grave Mercy had been released; since then, two more books released in the His Fair Assassin TrilogyDark Triumph and Mortal Heart.

Book Spotlight: Grave Mercy by Robin LaFevers

HELLO, Beardies!

Welcome, once more, to Book Spotlight, wherein I tell you about the books I love as a writer, and as a reader!

What a lot of people don’t realize about librarianship is how much it involves waiting. Librarians are constantly planning for the future. The book you checked out today is due in three weeks. The programs I am planning right now won’t happen until September. Very soon, I will get a package from VOYA with a new set of reviews to write—those reviews will go to my editor by late August, but there’s a chance I won’t see them in print until December! See what I mean about always planning and waiting? The worst wait, though, is always for the next book in a series! I have a few tricks up my sleeve, but I cannot make the writing and publishing process faster (more’s the pity).

Today’s Book Spotlight is born of my impatience with the waiting game. Grave Mercy by Robin LaFevers is the first book in a trilogy, but if I wait to tell you about it until all the books are published, I’ll go crazy!

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{—PREMISE—}

SEVENTEEN-YEAR-OLD Ismae is an outcast in her village in fifteenth-century Brittany (present-day France). She bears a hideous scar because her mother tried to abort her with poison from the local herbwitch, so her neighbors believe she is the devil’s spawn. Her father sells her in marriage to the highest bidder, and, upon seeing her scars, her new husband savagely beats her and goes for a priest to have her burned as a witch. Ismae is rescued and taken to the Convent of St. Mortain, where the sisters are no ordinary nuns but instead, highly-skilled assassins and spies. Ismae finds her place in the convent, and, as she prepares to take her final vows, she is sent on a mission into the Breton court, where traitors abound and nothing is as it seems.

{—GEMS FOR WRITERS—}

1. SETTING AND HISTORICAL DETAIL...

WRITERS, I beg of you: If you are going to use a real historical period for a setting, please do your research! Think about how your characters would speak, dress, act, or even eat. What headlines would they read in the newspaper? What would they gossip about? The historical setting in this book is so vividly drawn that it creates a sensory experience for the reader. This setting is a place I want to visit again and again, so I can’t wait to read the rest of the books in this trilogy!

2. MAGICAL REALISM...

NOT all speculative fiction is dragons and faeries (or, dare I say, vampires and werewolves). Grave Mercy is very much a work of magical realism. The setting is realistic and historically accurate, but fantastical elements, such as the so-called “marques of Mortain”—that tell Ismae whom to assassinate, and how—are masterfully incorporated.

3. SUSPENSE...

ALTHOUGH this book didn’t end with a traditional cliffhanger, suspense did abound throughout. The plot takes many unexpected turns. The reader feels everything that Ismae feels as she navigates the court, where nothing is as it seems and no one can be trusted. The ending wraps cleanly while leaving enough storyline open for the rest of the trilogy, too.

{—RATING—}

{—CONCLUSION—}

AND so, Beardies, we reach the end of another Book Spotlight. I hope you’ll take the time to check out this fabulous read! I know I can’t wait for the sequel, Dark Triumph, which is currently slated for publication in 2013!

Happy Reading and Happy Scribing!

Picture of ELIZABETH J. NORTON

ELIZABETH J. NORTON

Book Spotlight: The Ripple Trilogy by Cidney Swanson

***Originally posted on The Bearded Scribe on June 4, 2012.***
At the time of the original post, only The Ripple Trilogy had been released; since then, there have been four more books released: Visible, Immutable, Knavery, and Perilous.

Book Spotlight: The Ripple Trilogy by Cidney Swanson

GOOD Evening, Beardies!

Welcome back to Book Spotlight, wherein I tell you about the books that influence my writing, and sneak in a shameless plug for my all-time favorite reads!

Tonight’s spotlight, The Ripple Trilogy by Cidney Swanson, is proof positive that word-of-mouth marketing is important for writers. I had never heard of this trilogy until my friend and coworker Anna read these books and begged me to get them for the library. This proved difficult, but when Anna interviewed the author for her blog, the day was saved. Three emails later, Cidney Swanson donated a complete set to my library. I’m forever grateful for her generosity and very, very excited to “pay it forward” with a spotlight on these books!

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{—PREMISE—}

HIGH-SCHOOL student Sam has always loved water, but when she gets too close to it, it relaxes her so much that she turns invisible. The first time this happens, she’s on a cross-country team field trip and is saved by her running partner, Will. Both Will and Sam are “chameleons;” they have a rare genetic condition called Rippler’s Syndrome, which causes the ability to turn invisible. Will teaches Sam how to control her invisibility and introduces her to his older sister, Mickie. Mickie used to work for a scientist who researched Rippler’s Syndrome, but then the scientist died mysteriously. Lately, both chameleons and the scientists who research Rippler’s Syndrome have been disappearing at an alarming rate, and Will, Sam, and Mickie are soon embroiled in a mystery involving human experimentation and a scientist with a diabolical plot to build a super-race of chameleons and start a second Holocaust.

{—GEMS FOR WRITERS—}

1. WORLD BUILDING...

WE talk a lot about world-building here at The Bearded Scribe, and Cidney Swanson does a spectacular job of it. She seamlessly incorporates Rippler’s Syndrome and all of its attendant characteristics into a realistic setting, such that the reader begins to forget that Rippler’s is a fictional condition. This makes the idea of exploiting chameleons for their DNA all the more distasteful, which, in turn, lends a sense of urgency to Will and Sam’s quest to foil the villain’s evil plans.

2. THEME, NOT DIDACTICISM...

I love a good moral as much as the next person, but only to a point. I have thrown down many books in my life simply because I felt the writer was bludgeoning me with a theme. Take heed, writers: You do not need to force a message into your story—the reader will find it on their own! Luckily, The Ripple Trilogy does not fall into this trap! One of Swanson’s main themes is forgiveness, and it plays out naturally throughout the trilogy, culminating in a tear-jerking, chill-inducing denouement.

3. Romantic Tension...

GOOD news, Beardies! It is possible to work a romantic thread into a speculative fiction story without the use of the dreaded love triangle! The romance between Will and Sam is beautifully done; the tension between them is caused by a misunderstanding on both their parts and resolved in a way that feels genuine. Best of all, the romantic plot never overshadows the central conflict.

{—RATING—}

{—CONCLUSION—}

AND so, Beardies, we come to the end of another Book Spotlight. I hope you’ll take the time to check out this fabulous trilogy. Also, stay tuned for Joshua’s Author Spotlight with Cidney Swanson! Until next time…

Happy Reading and Happy Scribing!

Picture of ELIZABETH J. NORTON

ELIZABETH J. NORTON

***Rippler (2011), Chameleon (2011), and Unfurl (2012) by Cidney Swanson, are published by and copyright Williams Press.

***Per FTC Regulations: I received a free Advance Reading Copy (ARC) from the author and was not compensated in any way, monetarily or otherwise, for this review.

Book Spotlight: The Monstrumologist Series by Rick Yancey

***Originally posted on The Bearded Scribe on May 24, 2012.***
At the time of the original post, The Final Descent, the last book of the series, was not yet published.

Book Spotlight: The Monstrumologist Series by Rick Yancey

HAIL and well met, Beardies!

Welcome to the first edition of Book Spotlight, which I’m really excited to write as a regular feature for The Bearded Scribe! As a librarian, I feel that the best writers start as readers, and many times I have heard authors, asked for advice on writing, say something along the lines of “Read as much as you can.” With this in mind, Book Spotlight is a chance for me to tell you about the books that have influenced my writing the most—and sneak a plug in for my all-time favorite reads as well. So, without further ado, let’s get to it!

Today’s Book Spotlight is a three-for-one special: Rick Yancey’s The Monstrumologist Series. When I’m choosing books for the library, I usually have to go on others’ opinions—reviews, more often than not, or award lists. This series has gotten plenty of good buzz in both places. The first book, The Monstrumologist, bagged a Michael L. Printz Award Honor in 2009, while the second, The Curse of the Wendigo, was named a finalist for the Los Angeles Times Book Prize and a Top Ten Amazing Audiobook for Young Adults. With all the starred reviews and hardware piling up around these books, I had to buy them for the library (and read them for myself)!

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{—PREMISE—}

TWELVE-year-old Will Henry is apprentice, assistant, and ward to Dr. Pellinore Warthrop, a renowned monstrumologist (scientist who hunts and studies monsters) in nineteenth-century Massachusetts. Though the doctor often says that Will’s services are “indispensable,” the two have a tenuous relationship. The doctor is a cold, prickly, and self-absorbed man, bent upon his work to the exclusion of all else; Will vacillates between feeling that he owes the doctor everything and that the doctor is to blame for the deaths of his parents, both of whom were in the doctor’s employ.

The first book, The Monstrumologist, sees Will and Dr. Warthrop work to contain and exterminate a colony of Anthropophagi that is terrorizing the small Massachusetts town where they live. In the second book, The Curse of the Wendigo, Dr. Warthrop is attempting to disprove the existence of vampires when an old flame shows up on his doorstep, begging him to mount a rescue mission to save her husband, who disappeared on a hunt in the Canadian wilderness. Will and Dr. Warthrop head to the wilderness in pursuit of the man, who has become a Wendigo, a creature that slowly starves while gorging on human flesh. The Isle of Blood is the third book in the series. In it, Dr. Warthrop leaves Will behind and goes on a hunt for the Holy Grail of Monsters: Typhoeus Magnificum, the faceless one of a thousand faces, taking a new apprentice who may be leading him into a trap.

{—GEMS FOR WRITERS—}

1. DESCRIPTION...

TOO much description can either power a story or bog it down, and this series is definitely a case of the former. The descriptions range from tender to visceral and everything in between. These books are gothic horror at its finest, and not for the faint of heart. There is plenty of death and gore to spare, but rather than feeling superfluous, the descriptions make the setting and the characters spring vividly to life—when Will is washing his hands after a dissection and casually reaches into the drain to clear the bits of brain that are clogging it, the reader understands his life in a way that wouldn’t otherwise be possible.

2. Characterization...

ALL of Yancey’s characters, including the minor ones, are beautifully developed and multi-faceted. Every time I found myself feeling sorry for Will, the poor orphan boy cast adrift, he’d say or do something to display his calculating, scientific mind—establish himself as a force not to be trifled with. Likewise, every time I wanted to strangle Dr. Warthrop for being so cold and self-centered, something would happen to show a wonderfully human and compassionate side of him. There are no one-dimensional characters here. Various real historical figures make appearances in this series as well, including Sir Arthur Conan Doyle and Jacob Riis, and they blend seamlessly with the other, entirely fictional characters.

3. Mood and Suspense...

AS I was outlining this post, Joshua and I had a discussion about using weather to set a mood, and I suddenly realized that’s one of my favorite things about this series—the dark, gothic mood is palpable throughout, and established through various means including weather! In The Curse of the Wendigo, the wind howls cold through the Canadian wilderness…or is that the cry of the Wendigo itself? In The Isle of Blood, Will takes a desperate, midnight run barefoot through the streets of New York City, “running on blood and fire” as the rain pours down and the reader just knows something big is about to happen. Suspense exudes from every page, but somehow manages not to feel overdone or forced.

{—RATING—}

{—CONCLUSION—}

THAT’S it for this edition of Book Spotlight! I hope you’ll take the time to read at least one if not all of these phenomenal books! Until next time…

Happy Reading and Happy Scribing!

Picture of ELIZABETH J. NORTON

ELIZABETH J. NORTON

***The Monstrumologist (2009), The Curse of the Wendigo (2010), and The Isle of Blood (2011) by Rick Yancey, are published by and copyright Simon and Schuster Books for Young Readers.

***Per FTC Regulations: I received a free Advance Reading Copy (ARC) from the author and was not compensated in any way, monetarily or otherwise, for this review.