The Quiddity of Speculation: Great Steampunk Reads

***Originally posted on The Bearded Scribe on July 30, 2013.***

The Quiddity of Speculation: Great Steampunk Reads

HELLO Again, Writers!

Welcome to Part Two of The Quiddity of Speculation: Steampunk 101! Saturday, we talked about the makings of a Steampunk story. In this post, we’ll discuss a few fantastic Steampunk reads. It’s such a rapidly-growing subgenre that I’ve chosen to break this post into sections to give you a little taste of everything. As you read this post, please be aware that there are loads of Steampunk books out there—and more being published all the time—and please don’t let your reading be limited by my choices.

{—SERIES—}

[Book Cover] Soulless (Parasol Protectorate, Book 1) by Gail Carriger

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[Book Cover] Changeless (Parasol Protectorate, Book 2) by Gail Carriger

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[Book Cover] Blameless (Parasol Protectorate, Book 3) by Gail Carriger

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[Book Cover] Heartless (Parasol Protectorate, Book 4) by Gail Carriger

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[Book Cover] Timeless (Parasol Protectorate, Book 5) by Gail Carriger

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ONE of my favorite aspects of the Steampunk subgenre is that it often features girls behaving badly, or rather, bucking the conventions set forth for them by society. Gail Carriger is one author who truly shines in this area. Carriger’s Parasol Protectorate Series (Orbit, 2009-2012) consists of five novels about Alexia Tarabotti, a half-Italian spinster born without a soul—all of which complicates her standing in London society. The first book, Soulless (2009), received an Alex Award from the Young Adult Library Services Association and was nominated for a Locus Award for best first novel. In a society where vampires and werewolves and are accepted as members of society, Alexia’s soulless state leaves supernatural beings unable to target her. But when a vampire attacks her and she kills him, she becomes suspected in a rash of vampire disappearances and embroiled in a fun, fast-paced mystery. The Parasol Protectorate is a fabulous, funny blend of Supernatural, Steampunk, and mystery.

[Book Cover] Etiquette & Espionage (Finishing School Series Book 1) by Gail Carriger

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[Book Cover] Curtsies & Conspiracies (Finishing School Series Book 2) by Gail Carriger

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[Book Cover] Waistcoats & Weaponry (Finishing School Series Book 3) by Gail Carriger

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[Book Cover] Manners & Mutiny (Finishing School Series Book 4) by Gail Carriger

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IN 2012, Carriger began a spin-off series set in the same world as The Parasol Protectorate and aimed at young adults. In the first book, Etiquette and Espionage (Little, Brown 2013), we meet Sophronia, a girl from a middle-class Victorian family would rather dismantle a clock than learn to serve a proper tea. Desperate to improve Sophronia’s manners, her mother enrolls her in Mademoiselle Geraldine’s Finishing Academy for Young Ladies of Quality. Mademoiselle Geraldine’s isn’t your typical finishing school, though—along with dining and dancing and etiquette, the girls are taught the fine arts of deception and espionage. This book is rousing fun and the start of a promising series. Carriger follows up with Curtsies and Conspiracies.

**Since this post was first published, two more books in the Finishing School Series were released, shown above, in addition to The Delightfully Deadly Series, which are also set in the Protectorate universe.

[Book Cover] The Golden Compass (His Dark Materials, Book 1) by Philip Pullman

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[Book Cover] The Subtle Knife (His Dark Materials, Book 2) by Philip Pullman

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[Book Cover] The Amber Spyglass (His Dark Materials, Book 3) by Philip Pullman

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ONE of the classics of the Steampunk subgenre is Philip Pullman’s His Dark Materials Trilogy. Pullman excels in overall world-building in this trilogy, which consists of The Golden Compass [US] / The Northern Lights [UK] (1995), The Subtle Knife (1997), and The Amber Spyglass (2000, all Scholastic). The two main characters, Lyra and Will, live in a world where each person is protected by a personal guardian known as a daemon, the animal embodiment of their innermost being. The trilogy is extremely thought-provoking, drawing inspiration from physics, religion, and other disciplines as well as parallels to classic literature, even taking its title from Milton’s Paradise Lost. With strong religious elements, His Dark Materials often draws criticism for being anti-Christian, but the religious elements are just one of many courses in the banquet of food for thought provided by this wonderful fantasy read.

[Book Cover] Leviathan (Leviathan Trilogy, Book 1) by Scott Westerfeld

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[Book Cover] Behemoth (Leviathan Triology, Book 2) by Scott Westerfeld

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[Book Cover] Goliath (Leviathan Trilogy, Book 3) by Scott Westerfeld

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[Book Cover] The Manual of Aeronautics: An Illustrated Guide to the Leviathan Series by Scott Westerfeld

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MY first exposure to Steampunk—and my favorite to date—was Scott Westerfeld’s Leviathan Trilogy. In the first book, Leviathan (Simon and Schuster, 2009), we meet Alek, Crown Prince of Austria-Hungary and son of Archduke Franz Ferdinand, on the very night that his parents are assassinated by the Serbs. Alek runs for his life along with two of his tutors as war breaks out between the Clanker (Axis) and Darwinist (Allied) nations. As the world goes to war with huge animal-shaped machines on the Clanker side and the Darwinists’ giant floating ecosystems of genetically engineered creatures, Alek forms an unlikely alliance with Dylan Sharp, a Darwinist fighting in the British Air Service…and gets more than he bargained for when he finds out that Dylan is really a girl named Deryn. The trilogy continues with Behemoth (2010) and Goliath (2011), providing a wonderful Alternate History of World War I from start to finish. All three volumes also feature the art of Keith Thompson, and the illustrations are a treat in their own right and a bonus factor to the well-crafted story. In 2012, Westerfeld and Thompson collaborated once more on The Manual of Aeronautics, further exploring the world of the Leviathan Trilogy and giving a broader stage to Thompson’s artwork.

{—SHORT STORY COLLECTIONS—}

[Book Cover] Steampunk! An Anthology of Fantastically Rich and Strange Stories, edited by Kelly Link & Gavin J. Grant

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IN 2011, editors Kelly Link and Gavin J. Grant (wife and husband) teamed up with a host of popular Young Adult authors to produce Steampunk! An Anthology of Fantastically Rich and Strange Stories (Candlewick). This anthology features contributions from Libba Bray, Cassandra Clare, Cory Doctorow, Holly Black, and many others. Don’t let the Young Adult tag fool you—there’s truly something in this volume for everyone, as it brings Steampunk to such unexpected places as the wild American west and features everything from Time Travel to supercomputers to comic strips.

[Book Cover] Queen Victoria's Book of Spells: An Anthology of Gaslamp Fantasy edited by Ellen Datlow & Terri Windling

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Queen Victoria’s Book of Spells (Tor, 2013), edited by Terri Windling and Ellen Datlow, is another fantastic Steampunk short story collection. In addition to containing great short fiction from such familiar names as Gregory Maguire, the introduction to this book contains one of the best definitions of Steampunk I have ever read, as well as an exploration of the popularity of fantasy stories during the Victorian era. If you’re looking for a good way to start exploring Steampunk, Queen Victoria’s Book of Spells is an invaluable resource.

{—NONFICTION BONUS—}

[Book Cover] SteamDrunks: 101 Steampunk Cocktails and Mixed Drinks by Chris-Rachael Oseland

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YES, we’re Speculative Fiction freaks here at The Bearded Scribe…but sometimes our obsession becomes a little too much and must come off the page. SteamDrunks: 101 Steampunk Cocktails and Mixed Drinks by Chris-Rachael Oseland and Vicktoria Riley (Palmyran Rebels, 2012) is a perfect quick read and just the book to throw in your bag for your next con or cosplay event. As its title indicates, SteamDrunks contains recipes for over a hundred cocktails as well as a guide to stocking your bar with period-correct spirits. You don’t have to be a drinker to appreciate this book, either. I’m a teetotaler, but I couldn’t help laughing out loud at some of the instructions that go along with these recipes, such as “toast the fact that your family probably won’t die of river poisoning tonight, and drink until you pass out.” After I laughed my way through this book in one sitting, I bought it for Joshua last Christmas.

{—CONCLUSION—}

THESE titles are just a sampling of what’s available in Steampunk literature, and more is being published every day. Now that I’ve told you about my favorites, won’t you please tell me about yours with a comment on this post?

Until next time, Keep Calm and Scribe On!

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ELIZABETH J. NORTON

The Quiddity of Speculation: Steampunk 101

***Originally posted on The Bearded Scribe on July 27, 2013.***

The Quiddity of Speculation: Steampunk 101

GREETINGS, Fellow Writers!

Welcome back to The Quiddity of Speculation, where we dissect the various subgenres of speculative fiction and talk about some spectacular books from each! Today’s Quiddity is a favorite of mine—Steampunk! I love this subgenre for a variety of reasons, but chiefly because it revolves around history and one of my favorite time periods to research. Pull up a chair and a teacup and join me for an airship ride into the wonderful world of Steampunk!

{—BY DEFINITION—}

IN looking for a suitable definition of Steampunk to use for this piece, I ran into a bit of a sticky situation. According to Dictionary.com, it is “a subgenre of science fiction and fantasy featuring advanced machines and other technology based on steam power of the 19th century and taking place in a recognizable historical period or a fantasy world.” Here’s where it turns sticky, though: Within the broad genre of speculative fiction, Steampunk is a veritable Russian nesting doll—a subgenre of a subgenre of a subgenre. In the preface to Queen Victoria’s Book of Spells (Tor, 2013), authors Ellen Datlow and Terri Windling inform us that while this type of literature has experienced a surge in popularity of late, it is but one piece of a broader subgenre known as Gaslamp Fantasy, which in turn is a particular type of Historical Fantasy.

HISTORICAL Fantasy may be set during any period of history. Datlow and Windling tell us, “Gaslamp tales can take place at any time during the 1800s, from the Regency years to Queen Victoria’s long reign… The stories may occasionally stray into the Edwardian era, but the genre ends with World War I.” Steampunk in particular, though, is nearly always set during the Victorian era, when technology was advancing with the Industrial Revolution, but the world was still powered by steam.

{—KEYS FOR WRITERS—}

1. Inspect Your Gadgets....

PROBABLY the most recognizable hallmark of Steampunk is the gadgets. If you’re looking to write a steampunk story, ask yourself, “What if steam power had no limitations?” Just how much could be accomplished using gears and copper wiring? What problems might arise from using this technology? Let your imagination have no limits when it comes to gadgetry in steampunk writing. Even if you’re not an accomplished artist, sketch a few key devices out before you write about them. If the writer does not know exactly what a contraption looks like or how it works, neither will the reader. The more elaborate and accomplished your technology is, the better the story will be.

2. KNOW YOUR SURROUNDINGS...

THE thing that separates steampunk from straight-up science fiction is a recognizable setting, both in terms of location and time period. Although most Steampunk is set in England during the Victorian era, there’s no need to be a slave to those boundaries. As Windling and Datlow told us, Steampunk is a particular breed of Gaslamp Fantasy, and that encompasses a very long time period. The Industrial Revolution makes a convenient backdrop for advancing technology, but it is by no means the only era in which to set a steampunk story. The trick is for the writer to know their setting well enough to insert a believable and technologically advanced storyline.

3. RECONFIGURING THE COGS OF HISTORY...

SO, you know where you are in space and time and you have amazing gadgets at your disposal. Now comes the seriously geeky fun part. Twist up the details that you learned in your history classes! There’s a catch here, though: you’re going to need to do some research. In order to believably twist history, you must first know history. Do your research before you start to write and your job will be infinitely easier. Keep researching as you write and allow details to morph as needed. As you learn, change a few key things. Merge multiple characters into one, kill off an important historical figure, or stage a power struggle. Show off your gadgetry by giving the characters a reason to use it. Have fun with this! Just don’t go overboard—remember that you need to keep the setting recognizable for the reader.

{—Helpful READING—}

I really can’t say enough good things about the preface and introduction to Ellen Datlow and Terri Windling’s Queen Victoria’s Book of Spells (Tor, 2013), which contains a great definition and historical information about the Gaslamp Fantasy subgenre as a whole, and of Steampunk in particular.

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{—CONCLUSION—}

STEAMPUNK is currently surging in popularity in the publishing industry, and it has been said that it may even supplant dystopian and paranormal fiction as the next big thing in publishing. It’s also a perfect canvas for imagination to run wild in both the writer and the reader. Stay tuned for Part Two of this post, where I’ll discuss a few of the Steampunk books I adore!

The Quiddity of Speculation: Great Dystopian Novels

***Originally posted on The Bearded Scribe on October 23, 2012.***

The Quiddity of Speculation: Great Dystopian Novels

WELL met and welcome back, Beardies!

Welcome to the second part of the first post in our new series, The Quiddity of Speculation. In the first part, we discussed the ingredients of a good dystopian novel. Now, in the second part, we’ll be talking about a few books and authors who have done the job spectacularly. As you’re reading this post, please keep in mind that there are scores of great dystopian novels available, and don’t let my choices limit your reading. If you don’t see your favorite on this list, please tell me about it in the comments—I am always looking for suggestions!

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Beauty Queens by Libba Bray (Scholastic, 2011) combines classic dystopian elements with a humorous twist. Lord of the Flies meets Miss Congeniality when the contestants of the Miss Teen Dream Pageant are marooned on an island following a plane crash. Through the humor, Bray develops a quasi-dystopian society along with a scathing indictment of ageism, sexism, consumerism, and reality-TV culture. Although some may not consider this book a true dystopia, I have chosen to include it in this list because it delivers in all three key areas of dystopian fiction—setting, revolutionary thinking, and food for thought—and continued to resonate with me long after the last page.

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[BOOK COVER] The Ballad of Songbirds and Snakes (A Hunger Games Novel) by Suzanne Collins

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THE publication of The Hunger Games Trilogy by Suzanne Collins (Scholastic, 2008-2010) was the beginning of the current YA dystopian fiction craze. In case you’ve been living under a rock (or trapped under one) and have missed the hype surrounding this trilogy, the nation of Panem is divided into twelve districts, each of which must send one girl and one boy each year to participate in the Hunger Games, a fight to the death on live television. When Katniss Everdeen’s little sister is chosen for the Games, Katniss volunteers to go in her place. In doing so, she sparks a rebellion that will change the world as she knows it. Katniss is, at best, a reluctant heroine, as she wants only to save her sister. The Hunger Games Trilogy perfectly exemplifies that while revolution is a hallmark of dystopian fiction, sometimes the best revolution is the one that starts accidentally.

**Since this was first posted, Suzanne Collins has released a 4th Book in The Hunger Games Series, a prequel to the trilogy called The Ballad of Songbirds and Snakes, linked above.

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AN interesting take on dystopian society is The Chemical Garden Trilogy, by Lauren DeStefano. The first book, Wither (Simon and Schuster, 2011), establishes a world in which a botched attempt to create genetically-perfect children has caused all girls to die at age twenty and all boys to die at age twenty-five. As a result, a teenager’s only job in life is to repopulate the world, which gives rise to widespread polygamy. The protagonist, Rhine, is one of three wives to Linden. The action moves slowly in this dystopia, but it is an excellent example of character-driven literature. DeStefano follows up with Fever (Simon and Schuster, 2012) and Sever (Simon and Schuster, 2013).

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William Golding’s Lord of the Flies (Faber and Faber, 1954) was the first acknowledged dystopian novel. Although not an immediate success, it eventually became a bestseller and is still required reading in many schools. Its plot centers around a group of boys who survive a plane crash and the disaster that ensues when they try to govern themselves.

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The Giver by Lois Lowry (Bantam, 1993) won the Newbery Medal for excellence in children’s literature, becoming the first dystopian novel to win a major literary award. Lowry returned to the world of The Giver with two companion novels, Gathering Blue (2000) and Messenger (2004), and a sequel, Son (2012), all Houghton Mifflin), finishing off The Giver Quartet. Jonas lives in a seemingly perfect world where every family consists of a mother, father, and two children and no one ever feels pain. When Jonas enters the adult world at the age of twelve, he is assigned to be the Receiver of Memory—the person who will carry the memories of the past into the next generation for all of society. In his training with the mysterious man known as the Giver, however, Jonas comes to realize that all is not as perfect as it seems.

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IN Veronica Roth’s Divergent (Katherine Tegen, 2011), Beatrice Prior lives in a future Chicago wherein society is divided into five factions, each of which values a different quality in its members. Beatrice was raised by Abnegation (the selfless), but at the age of sixteen, she will take a test to determine if she should continue in that faction or become a member of Erudite (the intelligent), Amity (the kind), Dauntless (the brave), or Candor (the truthful). Her test results, however, reveal that she is none of the above, but rather Divergent, and thus considered a danger to society. Although this is a stellar novel for many reasons, Roth excels at developing the setting in what remains of Chicago. Beatrice’s story continues in Insurgent (Katherine Tegen, 2012), and Allegiant (Katherine Tegen, 2015), to close out The Divergent Trilogy.

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TALLY YOUNGBLOOD is the heroine of Scott Westerfeld’s Uglies Series (Simon and Schuster, 2005-2007). In the twenty-fourth century, Tally is about to turn sixteen. When she reaches that milestone, she will undergo the Surge, an extensive cosmetic operation that will turn her from an Ugly into a Pretty, the beginning of her adult life. Just before the operation, though, she discovers place called the Smoke and the people who live there, all of whom have chosen not to undergo the Surge. Through the “Smokies,” Tally learns some shocking truths about the effects of the Surge and about her society as a whole.

{—CONCLUSION—}

DYSTOPIAN fiction is currently one of the hottest trends in young-adult publishing, and excellent dystopian novels abound. I hope you will take the time to read a few of these, but please don’t be limited by my choices. I’m looking forward to hearing about your favorites, too—please tell me about them in the comments!

Happy Reading & Happy Scribing!

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ELIZABETH J. NORTON

The Quiddity of Speculation: Dystopia 101

***Originally posted on The Bearded Scribe on October 22, 2012.***

The Quiddity of Speculation: Dystopia 101

G’DAY to you, Beardies, and welcome back!

Any day that I get to write a post for The Bearded Scribe is a good day, and today is no exception. Today, we’re unveiling the first post in a new series we’re calling The Quiddity of Speculation. “Quiddity” is a word to which Joshua introduced me while we were throwing around titles for this series. According to Merriam-Webster, quiddity means “whatever makes something the type that it is.” The quiddity of a thing, then, is its very essence. In this series, we’ll dissect different types of speculative fiction in detail, exploring the definition and distinguishing characteristics of each. I’ve literally been researching this post since I joined the team here. It’s been a long time coming, so without further ado, let’s get to it!

ONE of the most interesting aspects of my job as a librarian is seeing the literary trends as they come and go. Five and a half years ago, when I started my library career, vampires and werewolves were in their heyday. I’ve now witnessed the gradual decline of the paranormal romance, followed by the meteoric rise of dystopian and post-apocalyptic literature triggered by The Hunger Games. Although these sub-genres are usually considered one and the same, I’m choosing to treat them separately, starting with dystopia.

{—BY DEFINITION—}

MERRIAM-WEBSTER defines “dystopia” as “an imaginary place where people lead dehumanized and often fearful lives.” First used in about 1950, the word derives from Latin and describes a place that is the opposite of the perfect society (utopia). In literature, dystopia describes a work of speculative fiction about a society that, in trying to be perfect, goes terribly wrong. Dystopia is one type of post-apocalyptic literature, but its keystone is that it features oppression caused by humans, such as police or government agencies, rather than by circumstances beyond human control.

{—KEYS FOR WRITERS—}

1. SETTING...

LIKE any Speculative Fiction, dystopia hinges on world-building. The most important piece of the dystopian world, though, is the setting. In building the dystopian setting, the more detail the writer adds, the better the story will be. Important considerations include not only physical descriptions of the setting, but also political systems, cultural norms, religious beliefs, family structures, even climate and weather patterns. The writer should also think about how the world came to be as it is. War, greed, genetic engineering, failure to conserve natural resources, and good intentions gone wrong are just a few likely catalysts. By definition, though, dystopian societies are created by human error, not natural phenomena.

2. REVOLUTIONARY THINKING...

DYSTOPIA is all about the conflict of protagonist versus society. While the setting is key, the action builds in the form of a revolution against the setting and those who control it. To incite such a conflict, an author need only plant one seed in the mind of one character. Such a seed need not even start out as an intention to start a rebellion. Side conflicts may develop as the character’s “unconventional” way of thinking causes him or her to run afoul of authorities or even other characters who resist change. In developing the conflict, the writer should consider the impact of the protagonist’s thoughts or actions on every other aspect of the society, so that an intricate web of conflicts is woven.

3. FOOD FOR THOUGHT...

ONE of the articles I read while researching this post talked about the evolution of dystopian literature. The first recognized dystopian novel was William Golding’s Lord of the Flies, published in 1954. Early dystopias featured settings that were far-fetched, with technology that was beyond belief for the times—frighteningly resonant perhaps, but not necessarily possible. More recent dystopias take the fads and problems of our current society to new levels, leaving the reader to wonder if such things as, for example, the reality-television crazed culture of The Hunger Games can be so terribly far away. In any generation, though, a good dystopia leaves the reader with plenty to think about.

{—Helpful READING—}

AS stated above, I’ve literally been researching this post since the day that I joined The Bearded Scribe’s team. I found the following two articles to be especially helpful.

  • Teenage Wasteland: What’s Wrong with YA Sci-Fi These Days?” by Ashley Belanger, originally appeared in the Orlando Weekly on August 15, 2012. I read it when it was reprinted in the September 5-11, 2012 issue of Detroit’s MetroTimes. The full text of the article is available online by clicking the link above.
  • The Other Side of Dark,” by Linda A. Gann and Karen Gavigan, appeared in the August 2012 issue of VOYA (Volume 35, Issue 3, pp. 234-238). Unfortunately, VOYA is only digitally archived through subscription-based services. If you are interested in reading this article, your local librarian should be able to help you obtain a copy.

And so, Beardies, we reach the end of this first edition of The Quiddity of Speculation. Please stay tuned for my next post, which will include a list of my favorite dystopian fiction. If there is a specific type of speculative fiction that you would like me to explore in a future post, please feel free to comment with your suggestions!

As Always, Happy Scribing!

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ELIZABETH J. NORTON