Gaslamp Fantasy

Gaslamp Fantasy

GASLAMP FANTASY is a captivating genre that blends elements of Fantasy, Historical Fiction, and often Victorian-era aesthetics to create richly atmospheric and enchanting worlds. Set against the backdrop of gas-lit streets, grand manors, and intricate social hierarchies, Gaslamp Fantasy immerses readers in a unique blend of magic, mystery, and manners. Unlike traditional High Fantasy, Gaslamp Fantasy tends to focus on urban settings, incorporating fantastical elements such as supernatural creatures, arcane rituals, and magical artifacts into a meticulously crafted historical context.

In Gaslamp Fantasy, authors weave intricate plots that intertwine the mundane and the magical, exploring themes of class struggle, societal norms, and the clash between modernity and tradition. Works like Susanna Clarke‘s Jonathan Strange & Mr. Norrell and Neil Gaiman‘s Neverwhere exemplify the genre’s allure, offering readers a glimpse into worlds where faeries lurk in shadowed alleys, clockwork inventions coexist with ancient spells, and etiquette is as important as wielding arcane powers. Gaslamp Fantasy invites readers to step into a bygone era tinged with enchantment, where the ordinary and extraordinary collide in captivating narratives that linger long after the final page is turned.

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Fairytale

Fairytale

FAIRYTALE is distinguished from other sub-genres by the works’ heavy use of motifs, and often plots, from folklore. They sometimes ignore the standards of world-building common to fantasy as blithely as the tales from which they derive, though not always; stories that use a high fantasy, contemporary, or historical setting, with the world building thus entailed, may also be considered part of those genres.

Sometimes Fairytale borders on the Horror side of Speculative Fiction. In early versions of the stories, the Pied Piper led the children to drown, Red Riding Hood was devoured and digested, and the Little Mermaid died in the sea. Not all fairytales are for kids. Also this subgenre denotes stories of little, winged fairies who are not pleased with human company.

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Epic (or High) Fantasy

Epic (or High) Fantasy

EPIC (or HIGH) FANTASY is a subgenre of fantasy literature characterized by epic-scale narratives set in secondary worlds distinct from our own reality. These worlds are often richly detailed with intricate histories, diverse cultures, and complex magic systems. High Fantasy stories typically feature heroic quests, grand battles between forces of good and evil, and the struggle for power or redemption in fantastical realms populated by mythical creatures, ancient prophecies, and legendary artifacts. Unlike low fantasy, which incorporates fantastical elements into our world, high fantasy fully immerses readers in wholly imagined landscapes, inviting them to explore realms where imagination knows no bounds.

In High Fantasy, authors like J.R.R. Tolkien with The Lord of the Rings trilogy and Brandon Sanderson with his Stormlight Archive series have crafted expansive worlds that captivate readers with their depth and scope. These narratives not only entertain with epic adventures but also delve into themes of friendship, sacrifice, destiny, and the nature of good and evil. High Fantasy transports readers to realms of wonder and awe, where heroes rise from humble beginnings to confront dark forces, shape destinies, and leave indelible marks on the fabric of their worlds, inspiring readers to dream of epic quests and noble deeds.

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Dystopian

Dystopian

DYSTOPIAN fiction is the opposite of Utopian: creation of a nightmare world, sometimes also described as “the victory of forces of reason over forces of kindness.”

Dystopian literature is a genre that explores speculative worlds characterized by oppressive societal structures, often depicting a grim future or alternate reality where individuals face extreme hardships, loss of freedoms, and dehumanizing conditions. These narratives typically highlight themes of authoritarianism, surveillance, inequality, and the consequences of unchecked power. Dystopian literature serves as a reflection of societal fears, critiques of current systems, and cautionary tales about the potential dystopian trajectories of human civilization.

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Dark Fantasy

Dark Fantasy

DARK FANTASY is a subgenre of fantasy literature that delves into themes of Horror, the macabre, and the Supernatural, creating atmospheres that are eerie, unsettling, and often filled with dread. Unlike traditional High Fantasy, which may emphasize heroic quests and noble characters, Dark Fantasy embraces moral ambiguity, complex characters, and bleak settings where the line between good and evil blurs. It draws inspiration from Gothic literature, folklore, and mythology to craft narratives that explore the darker aspects of human nature and the supernatural realms, stories that focus on elements usually found in the Horror genre but which take place in a setting more alike Sword and Sorcery or High Fantasy.

In Dark Fantasy, readers encounter haunted landscapes, twisted magic, malevolent beings, and protagonists who navigate treacherous moral dilemmas while facing formidable adversaries. Works like George R.R. Martin‘s A Song of Ice and Fire series and Clive Barker‘s The Hellbound Heart exemplify the genre’s penchant for intricate plots, morally gray characters, and visceral imagery that taps into primal fears and desires. Dark Fantasy invites readers to confront their deepest fears and delve into realms where darkness and danger lurk at every turn, weaving tales that resonate with the darkest corners of the human psyche.

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Cyperpunk

Cyperpunk

CYBERPUNK is a sub-genre of Science Fiction that emerged in the 1980s, characterized by its gritty, Dystopian urban landscapes, advanced technology, and countercultural themes. Set in near-future worlds dominated by megacorporations, cybernetic enhancements, and virtual reality, Cyberpunk narratives often explore themes of societal decay, inequality, surveillance, and the human relationship with technology. The genre’s protagonists, often antiheroes or outcasts, navigate the seedy underbelly of these Cyberpunk worlds, grappling with moral ambiguity, existential crises, and the consequences of their actions in technologically saturated environments.

In cyberpunk fiction, authors paint vivid portraits of neon-lit cities teeming with life, where high-tech skyscrapers loom over overcrowded streets filled with cybernetically-augmented denizens. Works like William Gibson‘s Neuromancer, which introduced the genre’s iconic “cyberspace,” or Ridley Scott‘s film Blade Runner, depicting a Dystopian Los Angeles overrun by artificial beings, exemplify the genre’s blend of noir aesthetics, punk sensibilities, and futuristic technologies. Cyberpunk invites readers to explore the intersection of humanity and technology, confronting questions about identity, power, and the implications of a hyperconnected, digitized world where reality and virtuality blur.

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Contemporary Fantasy

Contemporary Fantasy

THIS sub-genre is also known as modern-day or indigenous fantasy. These terms are used to describe stories set in the “real world” (often referred to as consensus reality) in contemporary times, in which, it is revealed, magic and magical creatures secretly exist, either living in the interstices of our world or leaking over from alternate worlds. It thus has much in common with, and sometimes overlaps with, the “secret history,” a work of fantasy in which the magic could not remain secret does not fit into this sub-genre. Occasionally certain contemporary fantasy novels will also make reference to pop culture. J.K. Rowling‘s works are good examples, with their backdrop setting of modern-day England.

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Apocalyptic Fiction

Apocalyptic Fiction

APOCALYPTIC FICTION is a subgenre of Science Fiction that explores catastrophic events leading to the end of civilization or the world as we know it. These narratives often depict scenarios such as global pandemics, nuclear warfare, environmental collapse, or cosmic disasters, showcasing humanity’s struggle for survival in the face of overwhelming adversity. Unlike Post-Apocalyptic Fiction, which focuses on the aftermath of such events, Apocalyptic Fiction immerses readers in the harrowing moments leading up to societal collapse, highlighting themes of resilience, desperation, and societal breakdown.

In Apocalyptic Fiction, authors craft compelling stories that blend speculative science, social commentary, and existential dilemmas. Works like Cormac McCarthy‘s The Road and Octavia E. Butler‘s Parable Series exemplify the genre’s exploration of human nature under extreme duress, examining how individuals and communities respond to existential threats and moral challenges. Apocalyptic Fiction invites readers to contemplate the fragility of civilization, the consequences of human actions, and the resilience of the human spirit in times of global crisis, resonating with contemporary anxieties while offering glimpses of hope amid devastation.

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Alternate/Parallel Reality

Alternate/Parallel Reality

PARALLEL universe or alternate reality in science fiction and fantasy is a self-contained separate reality coexisting with our own. This separate reality can range in size from a small geographic region to an entire new universe, or several universes forming a multiverse. While the terms “Parallel universe” and “alternate reality” are generally synonymous and can be used interchangeably in most cases, there is sometimes an additional connotation implied with the term “alternate reality” that implies that the reality is a variant of our own. The term “parallel universe” is more general, without any connotations implying a relationship (or lack thereof) with our own universe.

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Alternate History

Alternate History

ALTERNATE history or alternative history is a sub-genre of speculative fiction (or some would say of science fiction) that is set in a world in which history has diverged from history as it is generally known; more simply put, alternate history asks the question, “What if history had developed differently?” Most works in this genre are set in real historical contexts, yet feature social, geopolitical or industrial circumstances that developed differently or at a different pace from our own. While to some extent all fiction can be described as alternate history, the sub-genre mostly comprises fiction in which a change or point of divergence happens that causes history to diverge from our own -OR- a retelling of historical events where magic or other elements of fantasy are involved.

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