Joshua A. Mercier

Joshua A. Mercier

Executive Editor

JOSHUA ALLEN MERCIER was born in the seaside city of Biddeford, Maine—a city which shares its name with an English brother (Bideford, England) and an Irish sister (Biddeford, Ireland), but is steeped instead with Quebecois ancestry. A curious little city with a curious little nugget of fact unknown to most history books: it was the first settlement in New England, established in 1616 by physician Robert Vine—that’s four years before the Mayflower landed in Plymouth, Massachusetts, although Joshua‘s a descendant of that stock, too, on his mother’s side.

Although his mother and sister read to him as a child, his love affair with fantasy came with a treasured copy of Katherine Patterson’s Bridge to Terabithia, given to him by perhaps one of his favorite teachers, Mrs. Carpenter, and since that time he’s been hooked on speculative literature. It was Mrs. Carpenter, as well, who encouraged the budding poet inside of Joshua.

At the age of eight, Joshua‘s mother and step-father moved to north-central Maine, otherwise known as the middle of nowhere. Literally. That brownish-red area surrounding the farmhouse circled in the picture below—in case you were wondering—is miles and miles of potato fields! Perhaps the best part of all: the farmhouse in the center of that red circle was haunted! Maybe it was a catalyst for Stephen King, too, but let’s just say that surrounded by the complete LACK of civilization lent itself to an overactive imagination.

BECAUSE there are only two seasons in Maine—Winter and Mosquito—going outside was often impossible. Joshua was content being cooped up in his room, however, as there wasn’t much to do in the middle of nowhere anyway. His face was always buried deep inside the covers of a book. There was something about being drawn into a book, another world, a world different from his own, to which he could escape…and each book (or series of them) transported him to yet another.

Joshua‘s love for reading has never changed, but around the fourth grade, his new love became writing. His obsession with speculative fiction continued through the words he excitedly scribed. In seventh grade, he began writing his first novella, The Haunting Truth, about the haunted house in which he lived for four years of his childhood.

Webster Plantation, Maine
[FRONT] Joshua (Daddy) holding Madeleine Sophia;
[REAR] Emerich (Papi) holding Lucas Xavier

AFTER high school, Joshua moved halfway across the country [latitude-ly speaking], leaving all his family and friends to attend Alma College in Alma, Michigan. There, he swooned many a lady with coffee in exchange for tantalizing, late-night discussions about life and literature, who later were saddened to learn men were more of his cup of tea.

It was at Alma that he honed his writing craft and worked on the beginning stages of his manuscript, The Assassin of Aldarhaij; and, through the support and critiques of his professors and peers, he began to mould his manuscript into its current state. Although he had to leave after his third year, his time spent at Alma College are among the fondest of his memories, and the friends he made there will be friends for life.

IN February 2012, after finally completing his manuscript the previous fall, Joshua decided to launch The Bearded Scribe in hopes of connecting with other fans and writers who shared his love of speculative literature. It is upon its launch that Joshua re-connected with his college friends, Sara and Elizabeth over their shared love of books and reading. Elizabeth‘s passion for the blog landed her the position of Assistant Editor and Most-Esteemed Beta Reader, and with her, Joshua has accrued an un-repayable debt. After its launch, Joshua added several members and friends to the team; and although Elizabeth found it rather comical that a gay bloke had managed to acquire a harem of leading ladies, he wouldn’t have changed his staff for anything!

Unfortunately, in 2016, Joshua took some time away from writing after a major life-altering event, but has—after 8 years—started writing again and decided to re-launch the site and blog, which unfortunately he had to re-build from scratch thanks to someone hacking into the old site and corrupting it.

Since the start of his hiatus from writing and the site, Joshua has experienced quite a bit of change, which he outlines in his first series of posts since the re-launch, appropriately titled “New Beginnings.” In 2022, just shy of two decades in Atlanta, Georgia, he relocated to sunny Tampa, Florida with his husband, Emerich, and their two miniature schnauzers, Madeleine Sophia and her son, Lucas Xavier. When he’s not blogging, reading, or writing, Joshua enjoys singing (in the shower, car, or en plein air), cooking delicious dishes, crafting masterful cocktails, traveling or attending music events, watching movies or game nights with friends, or forever honing his graphic design skills.

He’s currently ambitiously plotting and writing a 7-book series called The Caster Chronicles, the first book of which is called Wonderspark.

Utopian

Utopian

THE Utopian subgenre of Speculative Fiction presents idealized societies or worlds that embody visions of perfection, harmony, and progress. Unlike Dystopian fiction, which explores oppressive or flawed societies, Utopian narratives depict imagined futures or alternative realities where social, political, and environmental issues have been resolved, leading to utopian ideals such as peace, equality, justice, and sustainability. Utopian fiction often delves into philosophical, ethical, and political themes, offering readers thought-provoking visions of what an ideal society could look like and how humanity might achieve such ideals.

In Utopian Speculative Fiction, authors envision Utopian societies governed by principles of cooperation, empathy, and collective well-being, challenging readers to consider possibilities for positive social change and envisioning better futures. Works like Ursula K. Le Guin‘s The Dispossessed, exploring anarchist utopias and social experimentation, or Aldous Huxley‘s Island, presenting a utopia blending Eastern philosophy with scientific progress, exemplify the genre’s ability to inspire hope, critical reflection, and dialogue about societal values and aspirations. Utopian fiction invites readers to imagine worlds where humanity’s best attributes flourish, sparking discussions about the potentials and limitations of Utopian visions in shaping our shared destinies.

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Urban Fantasy

Urban Fantasy

URBAN FANTASY is a dynamic genre that merges elements of fantasy, supernatural, and mythical creatures with contemporary urban settings, often in modern cities or towns. Unlike traditional High Fantasy, which unfolds in fantastical realms or medieval-like landscapes, Urban Fantasy brings magical or supernatural elements into our familiar world, blending the ordinary with the extraordinary. This genre often features protagonists such as wizards, vampires, werewolves, witches, or other magical beings navigating urban environments, facing challenges that intertwine mundane concerns with fantastical conflicts.

In Urban Fantasy, authors create immersive worlds where magic, myth, and modernity collide, offering readers thrilling adventures tinged with mystery, romance, and supernatural intrigue, and it’s a very popular sub-genre combined with YA FantasyCassandra Clare’s The Mortal Instruments series is a great example of the blend. Works like Jim Butcher‘s Dresden Files series, following a wizard detective solving paranormal cases in Chicago, or Patricia BriggsMercy Thompson series, featuring a shape-shifting mechanic in a world of werewolves and fae, exemplify the genre’s ability to blend fantasy tropes with urban grit and contemporary issues. Urban Fantasy invites readers to explore hidden realms within city streets, where ancient powers lurk in the shadows, and ordinary individuals discover extraordinary destinies amidst bustling urban landscapes.

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Time Travel

Time Travel

TIME TRAVEL is a captivating subgenre that explores the concept of time manipulation, allowing characters to travel backward or forward in time, altering events, and encountering paradoxes or consequences of their temporal journeys. This subgenre delves into the complexities of time travel theories, such as alternate timelines, causality loops, and the butterfly effect, where small changes in the past can have significant ramifications on the present and future. Time Travel often combines elements of Science Fiction, Alternate History, and Historical Fiction, creating narratives that challenge readers’ perceptions of time, destiny, and free will.

In Time Travel fiction, authors craft intricate plots that unravel across different time periods, exploring themes of fate, choice, redemption, and the consequences of tampering with the temporal fabric. Works like H.G. WellsThe Time Machine, which popularized the concept of time travel in literature, or Audrey Niffenegger’s The Time Traveler’s Wife, blending romance with temporal anomalies, exemplify the genre’s ability to blend scientific concepts with human emotions and existential dilemmas. Time Travel fiction invites readers on mind-bending journeys through past, present, and future landscapes, challenging notions of cause and effect while offering tantalizing glimpses into what-if scenarios and temporal possibilities.

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Sword & Sorcery

Sword & Sorcery

SWORD & SORCERY is a subgenre of Fantasy literature that emphasizes action-packed adventures featuring heroic characters wielding swords and magic in fantastical settings. Unlike Epic Fantasy, which often focuses on grand quests and world-spanning conflicts, Sword & Sorcery narratives typically revolve around smaller-scale adventures, personal quests, and encounters with supernatural foes or challenges. The genre’s name itself highlights its core elements: the use of swords representing martial prowess and physical combat, and sorcery representing magical abilities, spells, or supernatural forces.

In Sword & Sorcery, authors create fast-paced tales filled with daring feats, ancient ruins, mythical creatures, and clashes between heroes and villains. Works like Robert E. Howard‘s Conan the Barbarian stories, featuring a powerful warrior navigating treacherous lands and sorcerous foes; Michael Moorcock‘s Elric of Melniboné series, following a brooding antihero with a magical sword; or David Gemmell‘s Drenai Saga, which follows the adventures and battles of an ax-wielding warrior all exemplify the genre’s emphasis on individual heroics, moral ambiguity, and the allure of ancient mysteries and forbidden powers. Sword & Sorcery offers readers thrilling escapades into worlds where valor, magic, and danger intertwine, celebrating the indomitable spirit of heroic adventurers facing supernatural odds.

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Supernatural/Occult Fiction

Supernatural/Occult Fiction

SUPERNATURAL FICTION is a genre that explores phenomena beyond the natural realm, incorporating elements such as ghosts, spirits, demons, magic, psychic abilities, and other supernatural entities or occurrences. Unlike Fantasy, which often creates entirely new worlds or systems of magic, Supernatural Fiction typically takes place in our familiar world or a world closely resembling it, where supernatural elements intrude upon ordinary lives. This genre delves into the mysterious, unexplained, and eerie aspects of existence, blending the supernatural with human experiences, emotions, and fears.

In Supernatural Fiction, authors craft narratives that blur the line between reality and the unknown, inviting readers into realms where the supernatural coexists with everyday life. Works like Neil Gaiman‘s American Gods, where ancient gods walk among mortals in contemporary America, or Shirley Jackson‘s The Haunting of Hill House, exploring a haunted mansion’s psychological effects on its inhabitants, exemplify the genre’s ability to evoke suspense, mystery, and fascination with the supernatural. Supernatural Fiction offers readers thrilling and often chilling experiences, prompting contemplation about the mysteries of existence, the power of belief, and the boundaries between the natural and supernatural realms.

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Superhero Fantasy

Superhero Fantasy

WHERE does the fantasy story start and the comic book end? As with many of these sub-genres, this category has more than its share of grey area. The Superhero Fantasy has, at its heart, characters with super powers and/ or unusual abilities. The heroes and villains act out many of the same roles as you’d find in a comic book story line, only in a fantasy setting. George R.R. Martin‘s Wildcards Series is a good example of this sub-genre.

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Steampunk

Steampunk

STEAMPUNK is a sub-genre of science fiction that refers to works set in an era where steam power is still widely used—usually the 19th century, and often Victorian era England—but with technological inventions like those found in the works of H. G. Wells and Jules Verne. Steampunk contains alternate history-style elements of past technologies like dirigibles or mechanical computers combined with futuristic technologies like multi-function goggles, giant robots and ray guns.

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Space Opera

Space Opera

A Space Opera is usually set in outer space or on a distant planet. In most cases, to keep the story fast moving, a spaceship can fly almost unlimited distances in a short time, and can turn on a dime, without the boring necessity of decelerating. The planets usually have Earth-like atmospheres (Earth’s moon is an exception) and exotic life forms. Aliens usually speak English, sometimes with an accent. The machinery of space opera often includes (in addition to spaceships) ray-guns, robots, and flying cars.

Space Opera backgrounds may vary considerably in scientific plausibility. Most space operas conveniently violate the known laws of physics by positing some form of faster-than-light travel. Many space operas diverge even more from known physical reality, and not uncommonly invoke paranormal forces, or vast powers capable of destroying whole planets, stars, or galaxies.

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Science Fiction

Science Fiction

SCIENCE FICTION is a genre of Speculative Fiction that explores imaginative concepts, technologies, and societies based on scientific principles, advancements, or hypothetical future developments. It often delves into futuristic settings, space exploration, time travel, artificial intelligence, alternate realities, and the impact of scientific or technological progress on humanity and society. Science Fiction narratives may range from hard science fiction, which emphasizes scientific accuracy and feasibility, to soft Science Fiction, which prioritizes storytelling and speculative concepts over scientific accuracy.

In Science Fiction, authors create worlds that push the boundaries of human understanding and imagination, inviting readers to ponder the possibilities and consequences of scientific and technological advancements. Works like Jurassic Park by Michael Crichton pondering the advancement of genetics and science to recreate dinosaurs; Isaac Asimov‘s Foundation series, exploring the rise and fall of galactic civilizations through psychohistory; or Ursula K. Le Guin‘s The Left Hand of Darkness, delving into gender, politics, and cultural differences on a distant planet, exemplify the genre’s ability to blend scientific concepts with social commentary and philosophical exploration. Science fiction challenges readers to contemplate the future of humanity, ethical dilemmas posed by technology, and the ever-evolving relationship between science, society, and the human condition.

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